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rolina nell

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  • k zag de maaister | fragment untitled (suse) 2022 charcoal on arches grain satiné 300gr paper 190 x 113 cm
  • Iuntitled (suse) 2022 charcoal on arches grain satiné 300gr paper 190 x 113 cm | atelier de moeren van gogh air
  • open studio view with model suse van gogh air zundert netherlands
  • untitled (suse) 2022 charcoal on arches grain satiné 300gr paper 190 x 113 cm
  • untitled (riek) 2022 charcoal on arches grain satiné 300gr paper 190 x 113 cm
  • untitled (riek) 2022 charcoal on arches grain satiné 300gr paper 190 x 113 cm
  • fragment untitled (riek) 2022 charcoal on arches grain satiné 300gr paper 190 x 113 cm
  • fragment untitled (riek) 2022 charcoal on arches grain satiné 300gr paper 190 x 113 cm
  • untitled (ella) 2022 charcoal on arches grain satiné 300gr paper 190 x 113 cm
  • untitled (ella) 2022 charcoal on arches grain satiné 300gr paper 190 x 113 cm
  • fragment untitled (ella) 2022 charcoal on arches grain satiné 300gr paper 190 x 113 cm
  • fragment untitled (ella) 2022 charcoal on arches grain satiné 300gr paper 190 x 113 cm
  • fragment untitled (ella) 2022 charcoal on arches grain satiné 300gr paper 190 x 113 cm
  • open studio view van gogh air zundert netherlands
  • open studio view van gogh air zundert netherlands

Ik zag de maaister.

Ik zag de maaister. Ze stond in het veld.
Ze maaide en oogstte of haar dagen waren geteld, 


(Victor Hugo, les Contemplations: Mors (1856))

Je vis cette faucheuse. Elle était dans son champ. Elle allait à grands pas moissonnant et fauchant,

In late summer 2022, I worked as an artist-in-residence at Van Gogh AiR in Zundert, in studio De Moeren. I used my time in residence to do research and be inspired by the surroundings. Based on this, I created new work. 

My working method consists of collecting images that fascinate me. With these, I build up an archive. I collect images during my walks, by looking at photo archives and taking pictures with models from the surroundings. In this residency, a number of older women from the local community have been my models. With this, I want to compose a new image of my contemporary image as a personification of time. A past time that refuses to give up.